---
title: "third floor Case Study | Gendo"
description: "How a newly founded interior and exterior design studio produced material-accurate visuals for a fast-paced project without a specialist 3D team."
lang: en
json-ld:
---

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Story 

# A New Studio, Rendering at a Standard It Has Not Yet Hired For

How a newly founded interior and exterior design studio produced material-accurate visuals for a fast-paced project without a specialist 3D team.

Fast-paced

Delivered without a 3D team

Schematic approvals

Reached on presented work

Material control

Applied without losing the design

![third floor project rendered with Gendo](https://assets.gendo.ai/marketing/third-floor-terrace.jpg)

![third floor](https://assets.gendo.ai/marketing/third-floor-logo.png)

About the practice 

## third floor

Team Size

Small team

Studio

Newly founded practice

Scope

Interior and exterior design

Constraint

No specialist 3D team

third floor is a newly founded studio working across interior and exterior design. Like most practices at that stage, it is running on a small team and a set of live projects rather than an established production pipeline.

Visualisation was the obvious gap. The founder's last rendering experience was at university four years earlier, and hiring specialist 3D capability was not proportionate to the studio's size.

> "We just started, so it's a bit chaotic at the moment."
> 
> — Lama Al Sulaiman, Designer

The challenge 

## Time, material control, and no rendering muscle memory

The two binding constraints were time and flexibility in manipulating material. Testing a finish meant rebuilding and re-rendering, which a young studio on a compressed programme cannot absorb.

The knock-on effect was slower approvals: schemes reaching the client without the visual resolution needed to settle a decision in one pass.

The solution 

## Speed that keeps the intended design intact

A fast-paced project without a large team of specialised 3D designers forced the studio to look for another route. What made Gendo usable was not only pace but restraint — materials were applied while the design as drawn stayed recognisable.

"Speed for sure, but also how it applied the material and kept the intended designs as is."

Lama Al Sulaiman, Designer

Material 

## Finishes tested rather than described

For a studio defining its own visual language, material is where the position is set. Being able to try a palette on a live scheme, instead of arguing for it in words, moves the conversation onto something a client can judge.

The output holds the geometry, so a material study reads as the same project rather than a new one.

![Warm-toned workplace lounge with travertine walls, brass shelving and a coffee counter, visualised by third floor](https://assets.gendo.ai/marketing/third-floor-lounge.jpg)

Material and light resolved on the scheme as drawn.

Practice 

## Keeping control of a project across the canvas

The studio is direct about the learning curve: on longer-running projects, some of the control held at the start can drift as a canvas fills up.

The working answer has been to open a fresh canvas for a new phase, which keeps the current decision set clean and legible.

![Open-plan workspace with timber desks, sculpted feature wall and warm tubular lighting, visualised by third floor](https://assets.gendo.ai/marketing/third-floor-workspace.jpg)

A workplace scheme presented at a standard the studio has not yet had to hire for.

## The Impact: Approvals on schemes a young studio might otherwise lose

The measurable outcome so far is schematic design approvals: work carried through the stage where a scheme is either backed or reopened.

Impact 

## Key Outcomes

Schematic approvals 

Secured on presented work

No 3D specialists 

Delivered inside the existing team

Material flexibility 

Palettes tested on live schemes

Design intent held 

Geometry preserved through visualisation

Feedback 

## A fair read on client reaction

The studio's account is measured: some clients were impressed, others are simply harder to please, and it does not attribute the latter to the tool.

What has changed is that the studio arrives at those conversations with imagery strong enough to hold its side of the argument.

> "Gendo is so versatile and fast. I trust it as it works with geometry, so it gets it right for the most part."

Lama Al Sulaiman

Designer, third floor

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